my collection of nude photographs from the ’60s onward
an ongoing project
1960s-1970s Glamour Shooting
(10×15 cm)
This photograph encapsulates the aesthetic of vintage glamour prevalent in the 1960s and early 1970s. The model, featuring a characteristic bob haircut and bold eye makeup, embodies a style popularized by prominent figures of that era. The image is representative of classic pin-up and glamour photography frequently showcased in men’s magazines such as Paris-Hollywood, Lui, and Mayfair.
The lighting in the photograph appears to be artificial, likely originating from a studio environment, as evidenced by the distinct shadows that serve to accentuate the model’s contours—a common technique in mid-century fashion and boudoir photography.
While the precise origin of this photograph is not definitively known, it bears a strong resemblance to the work of European glamour photographers of the 1960s, particularly those associated with French and Italian publications. The model’s styling aligns with the Parisian pin-up aesthetic that flourished during this period. It remains a possibility that this image originated from a promotional or private studio session rather than widespread publication.
Carmen Dene by Eric Wilkins – October 21, 1963
(19x26cm)
Eric Wilkins was a British photographer active during the 1960s, who specialized in the genres of glamour and artistic nude photography. His work was featured in the French magazine Paris-Hollywood between 1962 and 1963, reflecting the stylistic trends of European erotic photography of that time.
Carmen Dene was a British actress and model recognized for her contributions to film and television during the 1960s. She also achieved recognition within the realm of glamour photography, appearing in various publications and photographic sessions.
The professional association between Wilkins and Dene is documented through a series of original photographs where Dene posed for Wilkins. These images were part of the archival material of Paris-Hollywood, specifically within issues dating from 1963.
Unknown Model (Possible Carmen Dene), c. 1960s
Photograph by Eric Wilkins
(17x25cm)
This photo, likely taken in the 1960s, showcases Eric Wilkins’ recognizable style, blending glamour with an intimate indoor setting. The pose and atmosphere are typical of his work for European men’s magazines from that era.
Though the model’s identity isn’t confirmed, she might be Carmen Dene, a British actress and model who collaborated with Wilkins during that time. The composition and styling resemble her previous work with him. Editorial notes on the back suggest the image was prepared for publication, possibly in magazines like Paris-Hollywood or Men Only.
Woman with Parrot, c. 1970s
(19x25cm)
Back of the print is stamped “Johnny Castano / Lilo Korenjak”
Johnny Castano (b. 1928) was an American photographer active in the 1960s and 1970s. He worked mainly in portrait and nude photography and was occasionally credited as a still photographer for films.
Lilo Korenjak was a European photographer working in the same period, with auction records listing her name on similar nude and portrait prints. Some of her works appear to be reprints or redistributions of Castano’s photographs, suggesting a professional link or shared archive.
Based on the hairstyle, outfit and print material, this photograph was likely taken in the 1970s.
Anne et Mary, c 1960’s
(21x27cm)
Stamped on the back: PHOTO BÉLORGEY / 9 rue Camille Pelletan / Montrouge (Seine) — a known photography studio active in the Paris area during the 1950s–1960s. The handwritten names “Anne et Mary” may refer to the models featured.
The interior, styling, and photographic technique suggest a date in the late 1950s or early 1960s. Notation “bas 15 / pag 25” could refer to a magazine layout or publication.
(9x13cm)
Studio portrait from the late 1970s or early 1980s, capturing a confident pose against a plain white backdrop. The subject wears a fitted white tee, her short hair and discreet jewelry reflecting the era’s understated yet bold aesthetics. The strong directional lighting and visible shadow suggest a semi-professional shoot, likely intended for personal or artistic use rather than mass distribution.
(7x10cm)
Intimate vintage erotic photograph from the 1960s–70s, capturing a close-up composition focused on the body’s curves and skin texture. Frilly lingerie and fabric detail suggest a domestic setting, typical of analog amateur or semi-professional boudoir photography.
(11x17cm)
This anonymous photograph presents a scene likely captured within a hotel or private residence, with the estimated period being the 1970s or early 1980s. Elements such as the telephone model, wall socket design, and interior furnishings suggest a European origin, potentially France or Germany.
The characteristics of the image, including the use of flash lighting and the grain structure, indicate the employment of amateur or semi-professional photographic equipment. The print was most likely produced in a home darkroom or a small photographic laboratory. The candid and intimate framing of the subject matter suggests a context of personal photo diaries or experimental nude studies, rather than commercial endeavors. Currently, no specific information regarding the photographer or the model is available.
(10x15cm)
This photograph appears to be a privately developed print, likely produced in France in the late 1980s. The timestamp in the lower right corner indicates that it was taken or printed on January 8, 1987. The setting, including the window details, paneling, and patterned textiles, aligns with French interior styles from the time.
(9x14cm)
A spontaneous nude photograph that appears to have been taken in a domestic setting, possibly a living room or artist’s studio. The visible elements—vintage metal weights, a small round suitcase, and a classic sewing machine—suggest an eclectic, perhaps bohemian environment.
The harsh lighting and stark contrast hint at the use of a direct flash, while the pose and framing suggest an unposed or lightly directed session, possibly between acquaintances. The photograph likely dates from the late 1970s to early 1980s, though no information is available about the model or photographer.
(9x12cm)
These two photographs appear to be amateur work, likely taken in a private setting. The posters and objects in the background suggest a late 1960s or early 1970s timeframe. In the second image, the vertical cutout on the wall features Babar the Elephant, a character from the French children’s book series created by Jean de Brunhoff.
(17x23cm)
A gelatin silver print with sepia toning. The hairstyle and hay bale type suggest it dates to approximately the 1970s; its origin/author is unknown.
(13x21cm)
The embroidered fabric and scalloped trim suggest mid-century European lingerie styles. The matte print on thick cardstock is consistent with photographic prints from the 1950s to early 1960s.
Jean Barthet 1971: Beach Style by Associated Press
(18x24cm)
This Associated Press photograph (dated 23/1/71) features a beach outfit from Jean Barthet‘s Summer 1971 collection. It showcases a multi-colored floral cotton swimsuit with a large straw hat trimmed with red fringe. Associated Press Photos Paris is credited.
René Coullan 1962: The Convertible Hat by Associated Press
(13X18cm)
Dated June 7, 1962, this photograph was issued by thle Associated Press in Paris and features a design by René Coullan: a straw sunhat with a “convertible hat” According to the original caption, the hat was designed to fold down over the head, allowing the wearer to protect their face or dry their hairstyle after swimming.
The image was produced as a press photo for fashion sections of newspapers and magazines at the time.
Paco Rabanne 1971: Avant-Garde Fashion by Associated Press
(18x24cm)
This Associated Press photograph (dated 28/I/71) showcases a design from Paco Rabanne‘s Spring-Summer 1971 collection. The model wears a large cape over a chainmail micro-short and bra, reflecting Rabanne’s signature avant-garde style. Associated Press Photos Paris is credited on the verso.
1971: HCF Spring Curls by AGIP
(13x18cm)
AGIP promotional photograph, shot by Robert Cohen of Reportages Photographiques, showcases the “Haute Coiffure Française” (HCF) spring/summer hairstyle trends. The verso bears Cohen’s studio stamp from Paris, confirming its origin and providing a glimpse into the fashion photography scene of the era. The models, though unnamed, embody the iconic, curly-haired style that defined the period.